TEAM — INTERNATIONAL JOURNAL FOR DIGITAL ART HISTORY

TEAM

Editors

Harald Klinke

is co-founder and editor of DAHJ. As an Assistant Professor he is teaching Digital Art History at the LMU Munich. He holds a Ph.D. in Art History and a Master in Business Informatics and has been a Visiting Scholar at Columbia University and researcher at Volkswagen AG.

Liska Surkemper

is co-founder and editor of DAHJ. Previously, she has worked as Research Assistant in Architectural and Cultural Theory at the TU Munich from 2014 to 2017. From 2010 until 2014 she coordinated a digital humanities project at the University of Arts and Design Karlsruhe (HfG), funded by the German Federal Ministry of Education and Research (BMBF).

Justin Underhill

is editor of DAHJ. He also runs the Visualization Lab for Digital Art History at UC Berkeley. He has held postdoctoral fellowships in digital humanities at UC Berkeley and the University of Southern California. His research interests include 3D data capture (photogrammetry and laser scanning), modeling and rendering as tools for reconstruction and simulation, VR/AR, and projection mapping.

Contact editors

Affiliated Scholars

Tina Sauerländer

Guest Editor for Issue No. 4 on “History of Digital Art”, 2019/2020.

Greg O. Niemeyer

Creative Director for the DAHJ relaunch, 2019.

Roger Antonsen

Visual artist for the interactive DAHJ map , 2019.

Olivia Ting

Designer for the relaunch of the DAHJ print layout, 2019.

Burcak Ozludil

Editorial staff member for Issue No. 3 on “Digital Space and Architecture”, 2017/18.

ADVISORY BOARD

Featured

Anna Bentkowska-Kafel

is an independent scholar, who has been a longstanding committee member and editor for Computers and the History of Art (CHArt, est. 1985). She co-organized two CHArt conferences on Digital Art History held at the British Academy, and co-edited the proceedings published by Intellect.

Günther Görz

is leading the Digital Humanities Research Group at the University of Erlangen. He is also researching "Semantic Modeling and Knowledge Representation for Scientific Object Documentation and Digital Editions" at the Max Planck Institute for the History of Science.

Hubertus Kohle

is Professor for Art History at the LMU Munichand leads the project "Artigo Social Image Tagging", an online game with the aim to supply artworks with tags. He is a co-editor and co-founder of the online review journal "Sehepunkte" and several other web projects.

Lev Manovich

is a Professor of Computer Science at The Graduate Center, CUNY, and a Director of the Software Studies Lab that uses methods from computer science, media design and humanities to analyze big cultural data. He is the author and editor of eight books including Data Drift, Software Takes Command, Soft Cinema: Navigating the Database, and The Language of New Media.

Tara McPherson

is Chair and Professor of Cinema and Media Studies at the University of Southern California’s School of Cinematic Arts and Director of the Sidney Harman Academy for Polymathic Studies. Her research engages the cultural dimensions of media, including the intersection of gender, race, affect and place. She has a particular interest in digital media.

Maximilian Schich

is an Associate Professor in Arts and Technology and a founding member of the Edith O'Donnell Institute for Art History at the University of Texas at Dallas. Aiming to understand complex networks and processes in art and culture in his Cultural Science Lab, he works and collaborates to cultivate a productive convergence of arts and humanities, computer science, physics, and information design.

Stephan Trüby

is professor and director of the Institute for Principles of Modern Architecture (Design and Theory) (IGmA) at Stuttgart University. He was the research director of the Venice Architecture Biennial in 2014 and is a permanent contributor to the ARCH + and Archithese magazines.