is co-founder and editor of DAHJ. As an Assistant Professor he is teaching Digital Art History at the LMU Munich. He holds a Ph.D. in Art History and a Master in Business Informatics and has been a Visiting Scholar at Columbia University and researcher at Volkswagen AG.
is co-founder and editor of DAHJ. Previously, she has worked as Research Assistant in Architectural and Cultural Theory at the TU Munich from 2014 to 2017. From 2010 until 2014 she coordinated a digital humanities project at the University of Arts and Design Karlsruhe (HfG), funded by the German Federal Ministry of Education and Research (BMBF).
is editor of DAHJ. He also runs the Visualization Lab for Digital Art History at UC Berkeley. He has held postdoctoral fellowships in digital humanities at UC Berkeley and the University of Southern California. His research interests include 3D data capture (photogrammetry and laser scanning), modeling and rendering as tools for reconstruction and simulation, VR/AR, and projection mapping.
Guest Editor for Issue No. 4 on “History of Digital Art”, 2019/2020.
Creative Director for the DAHJ relaunch, 2019.
Designer for the relaunch of the DAHJ print layout, 2019.
Editorial staff member for Issue No. 3 on “Digital Space and Architecture”, 2017/18.
is an independent scholar, who has been a longstanding committee member and editor for Computers and the History of Art (CHArt, est. 1985). She co-organized two CHArt conferences on Digital Art History held at the British Academy, and co-edited the proceedings published by Intellect.
is a Professor of Computer Science at The Graduate Center, CUNY, and a Director of the Software Studies Lab that uses methods from computer science, media design and humanities to analyze big cultural data. He is the author and editor of eight books including Data Drift, Software Takes Command, Soft Cinema: Navigating the Database, and The Language of New Media.
is Chair and Professor of Cinema and Media Studies at the University of Southern California’s School of Cinematic Arts and Director of the Sidney Harman Academy for Polymathic Studies. Her research engages the cultural dimensions of media, including the intersection of gender, race, affect and place. She has a particular interest in digital media.
is an Associate Professor in Arts and Technology and a founding member of the Edith O'Donnell Institute for Art History at the University of Texas at Dallas. Aiming to understand complex networks and processes in art and culture in his Cultural Science Lab, he works and collaborates to cultivate a productive convergence of arts and humanities, computer science, physics, and information design.